Nikki Glaser Shares Cut Jokes from 2026 Golden Globes, Stirring Reactions
LOS ANGELES, Calif. — Nikki Glaser, the two-time host of the Golden Globes, recently lifted the curtain on a series of jokes she prepared but ultimately cut from her 2026 monologue. Known for her sharp wit and fearless humor, Glaser’s candid revelations came during a post-show appearance on The Howard Stern Show, where she discussed the delicate balance between pushing comedic boundaries and respecting the live audience.
Glaser, praised by the Golden Globes producers as one of Hollywood’s “hardest-working people,” spent months crafting her opening monologue. Her set included biting commentary on Hollywood’s biggest names and topical issues, including a daring joke about the Epstein files that aired early in her performance. Yet, many of her more provocative jokes were left on the cutting room floor. “Sometimes a joke is just for the room,” Glaser explained, emphasizing that some material, while funny in rehearsal, may not translate well on live television or could unintentionally hurt feelings.
Among the 13 jokes she shared that didn’t make the final cut was a quip about Timothée Chalamet, which she admitted she regretted leaving out: “I’m actually upset that she didn’t use this Timothée Chalamet joke, because Kylie’s reaction would’ve been EVERYTHING.” The joke played on Chalamet’s public persona and garnered buzz online, highlighting the unpredictable nature of live comedy and celebrity reactions.
Other jokes targeted a range of celebrities, from Sydney Sweeney to Brad Pitt, and included playful jabs at the industry’s quirks. For example, Glaser joked about Brad Pitt’s role in the film F1, noting, “When a man turns 60, he gets to play a race car driver. Meanwhile, after 35, every role for a woman is ‘tired mom who hates her life.’” The comedian also poked fun at Sean Penn, Amy Poehler, and Julia Roberts, among others, weaving humor with social commentary.
Glaser’s approach to comedy aligns with a broader conversation about the evolving standards of humor in entertainment. The Golden Globes, produced by the Hollywood Foreign Press Association, have faced criticism in recent years for their handling of sensitive topics and diversity issues. Glaser’s willingness to push boundaries while acknowledging limits reflects ongoing efforts to balance edgy content with respect.
Her remarks on The Howard Stern Show also shed light on the creative process behind award show hosting. Glaser noted that cutting jokes is part of the craft: “You just don’t get everything you want, and you just gotta move on and let’s just write a better joke. There’s gotta be a better joke out there.” This insight offers a glimpse into the pressures hosts face to entertain a global audience while navigating complex social dynamics.
For those interested in the full list of jokes that made the cut, detailed recaps are available through major entertainment outlets. Meanwhile, Glaser’s reflections contribute to a larger dialogue about comedy’s role in public discourse and the entertainment industry’s evolving landscape.
More context on the Golden Globes and their production can be found at the official Golden Globes website, while insights into media standards and broadcast regulations are available through the Federal Communications Commission. For a broader understanding of the entertainment industry’s impact on culture, the National Endowment for the Arts offers extensive resources. Additionally, discussions about celebrity influence and media ethics can be explored via the Pew Research Center.
As the entertainment world continues to evolve, Nikki Glaser’s candidness about her comedic choices underscores the complexities of humor in a high-profile, scrutinized arena. Her blend of boldness and restraint may well shape how future hosts approach the delicate art of award show comedy.
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