Inside the Cinematic Worlds of Celebrities: 12 Stars Share Their Top Films on Letterboxd
NEW YORK, NY — In an era where streaming platforms and social media converge, celebrities are not just starring in films but actively engaging with the movie community through Letterboxd, a popular social networking site for film lovers. A recent BuzzFeed feature unveiled the public Letterboxd accounts of 12 well-known stars, offering a rare glimpse into the films that resonate with them beyond the red carpet.
Among the most striking revelations is that Martin Scorsese, the legendary director behind classics like “Goodfellas” and “Taxi Driver,” maintains a Letterboxd profile. His top four films — “Kyoto,” “My Mother’s Place,” “A Kid for Two Farthings,” and “The Magic Box” — reflect a deep appreciation for cinema history and international storytelling. This aligns with his reputation as a cinephile who champions film preservation and education, as supported by resources from the Library of Congress.
Pop icon Charli XCX’s selections paint a picture of a vibrant and eclectic taste. Her top picks include “The Addiction,” “Céline and Julie Go Boating,” “Maps to the Stars,” and “Phantom Thread,” a collection that mirrors her internet-savvy and avant-garde persona. Meanwhile, rapper Jack Harlow surprises with a penchant for classic thrillers such as “Rope,” “12 Angry Men,” “Dial M for Murder,” and “Rear Window,” showcasing a depth that contrasts his mainstream music persona.
Francis Ford Coppola, a titan of filmmaking known for “The Godfather” series, also curates a Letterboxd account, offering a mini film school through his top films: “Megalopolis,” “The Last Showgirl,” “The Good Half,” and “Between the Temples.” His continued engagement with cinema underscores the importance of ongoing artistic exploration, a value echoed by the American Film Institute, which promotes film heritage.
Actors like Rachel Sennott and Dacre Montgomery provide a more contemporary and relatable perspective. Sennott’s top films — “The Bling Ring,” “Saved!”, “Jennifer’s Body,” and “Women on the Verge of a Nervous Breakdown” — reflect her indie film roots and sharp comedic sensibility. Montgomery’s choices, including “The Big Blue,” “Waves,” “Irreversible,” and “Knight of Cups,” reveal a softer, more introspective side.
Kid Cudi’s Letterboxd account is a curated playlist of emotionally rich and creative films such as “The Last Dragon,” “The Cable Guy,” “La Haine,” and “Marty Supreme,” mirroring the introspective nature of his music. Likewise, the joint account of Carrie Coon and Tracy Letts, a Hollywood power couple, features “The Last Picture Show,” “An Unmarried Woman,” “Deliverance,” and “The Conformist,” suggesting a household steeped in cinematic sophistication.
Director Sean Baker, known for “The Florida Project,” uses his platform to highlight underrated indie and international films, including “The Idiots,” “Nights of Cabiria,” “Oasis,” and “Miami Connection.” His selections encourage viewers to explore beyond mainstream cinema, a mission supported by the University of Southern California’s School of Cinematic Arts, which fosters global film appreciation.
Rising stars like Mckenna Grace and Lukas Gage also share their cinematic favorites, blending classics and contemporary hits that speak to their generational tastes. Grace’s picks — “Priscilla,” “Romeo + Juliet,” “Tangled,” and “The Notebook” — resonate with youthful nostalgia, while Gage’s range from “E.T. the Extra-Terrestrial” to “Life of Pi” showcases his eclectic sensibility.
This revealing look at celebrities’ Letterboxd accounts not only humanizes these stars but also invites fans to connect over shared cinematic passions. For those eager to explore these curated lists and dive deeper into the world of film, Letterboxd offers a unique window into the personal tastes of some of the entertainment industry’s most influential figures. As the National Film Preservation Board advocates, preserving and celebrating diverse cinematic voices remains essential, whether on screen or in the digital diaries of stars.
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